Ploce: It Is What It Is!

One of the catch-all phrases of the 21st century is โ€œIt is what it is.โ€ On the surface, it seems like a no-brainer, but when you think about it, itโ€™s a statement that can indicate acceptance, resignation, or simple acknowledgement of a thing or situation. It can communicate โ€œthatโ€™s all youโ€™re going to getโ€ or โ€œthatโ€™s the best I could doโ€ or โ€œthat will have to do. Despite its apparent simplicity, itโ€™s a versatile statement to keep up oneโ€™s sleeve.

The repetition in this phrase is known as ploce, pronounced plo-chay .

Photo by Cristian Rojas on Pexels.com

Ploceย is a very old word which came into English from Latin from the Greek work plokฤ“ meaningย complicationย orย twisting,ย which came from the ancient Greek word plekein which means toย plaitย orย weave.

That in itself is fascinating, as it gives a clear impression of the words twisting or weaving around themselves as they are repeated. Itโ€™s quite a visual image of what the language is doing.

Ploce is a literary and rhetorical device by which a word is repeated for emphasis.

  • It can be simple repetition, like Popeye saying โ€œI am what I am, and thatโ€™s all I amโ€.
  • It can involve a change in the meaning of the word:ย 
    Examples:
    โ€œWhen the going gets tough, the tough get going.โ€
    โ€œI donโ€™t want to hear you talk the talk, I want to see you walk the walk.โ€

    Note: This is also calledย antanaclasis, but youโ€™ll probably never need to know that unless youโ€™re studying Rhetoric, Classics or Shakespeare.
  • It can involve a change in the form of the word.
    Example:
    โ€œShe cried until there was no crying left in her.โ€

    This is also calledย polyptoton.ย Youโ€™ll probably never need to know that either, unless youโ€™re studyingโ€ฆ you get the idea.

Shakespeare made regular use of ploce in his plays, but my favourite examples are to be found in speeches by Queen Margaret in Richard III:

Screenshot made using Shakespeare Pro v.5.5.2.3
Screenshot made using Shakespeare Pro v.5.5.2.3

Margaret often makes use of elegant imagery and rhetoric in her speeches, and her use of ploce is certainly eloquent.

Sources:
Silva Rhetorica
ThoughtCo.
Britannica.com

Ploce: It Is What It Is
#words #vocabulary #Shakespeare

Shakespeare Nerd: Valentine’s Day Edition

This Valentine’s Day edition of Shakespeare Nerd is brought to you by the brilliant Mya Gosling, creator of Good Tickle Brain.

Image reproduced here with permission.
Image reproduced here with permission.

Shakespeare Nerd Valentine’s Day Edition via @goodticklebrain
#ShakespeareSunday #ValentinesDay

Desdemonaโ€™s Lament

Photo by Kaboompics .com on Pexels.com

Often when I see a willow tree, I think of the  desperately sad song sung by Ophelia as she prepares for bed in Act 4, scene 3 of โ€˜Othelloโ€™.

โ€˜Willowโ€™ is a folk song that tells of lost love and resulting tragedy, although Ophelia doesnโ€™t quite get that far in the song before she stops to talk with her maid, Emilia. The song was not written by Shakespeare, and it seems to have been widely enough known for the audience to have understood the gravity and foreboding of it being sung by Ophelia. 

Shakespeare did, however, make one significant change. The original song was about a man dying as the result of the cruelty of a woman, but when Ophelia sings it, the song is about a woman suffering at the hands of the man she loves. 

The poignancy of the song is heightened by Opheliaโ€™s revelation to Emilia that her motherโ€™s maid, from whom she learned the song, died tragically while singing it. 


The song takes another tragic twist when Emilia herself sings the song as she, too, dies from injuries inflicted by her own husband. 

Shakespeare uses this song to evoke pathos,  tragedy and foreboding in abundance. 

It seems to me that he willow tree, graceful and mournful at the same time, is a most fitting image for achieving that effect.


Desdemonaโ€™s Lament.
#Shakespeare #Othello #willow #tragedy #ShakesepeareNerd #blogpost

21st Century Ways to Entertain Yourself in the Shakes-sphere

Contrary to what some people might think, enjoying Shakespeare isnโ€™t all about seeing performances of plays, being academic, and knowinf your โ€œtheesโ€ from your โ€œthousโ€.

These apps for smart phone or tablet will appeal to devoted Bardophiles looking for new ways to enjoy Shakespeare, but also to students looking for ways to enrich and extend their knowledge of Shakespeareโ€™s works.

There are loads of Shakespeare-related apps out there, but of all the ones Iโ€™ve tried, these three are the ones I have kept and continue to use.

Emoji Shakespeare has a variety of passages from well-known plays in which one is required to โ€˜fill in the blanksโ€™ with emojis. Itโ€™s a great way to pass a bit of spare time, and definitely more interesting than endless reiterations of Candy Crush.

ShakesQuiz is a multiple choice quiz game that covers the plays, poetry, life and times of Shakespeare. Each quiz is ten questions long. Hints can be purchased if one is unwilling to achieve less than perfect scores. I prefer to think of it as something to improve on next time!

The Shakespeare Pro app offers a digital collection of Shakespeareโ€™s works, analysis, quotes, and the facility to make and save notes. The search function is comprehensive and customisable, enabling a specific search within a particular work or across the entire canon.


If you have an app you enjoy, please leave your recommendation in a comment.

Horror Scenes in Shakespeare: “Out, damned spot!” The Blood on Lady Macbethโ€™s Hands

While Shakespeare isnโ€™t renowned for writing horror, he certainly understood the power of a macabre scene and the dramatic impact of horror when portraying just how evil a character could be.ย 
He created a number of beautifully creepy and macabre scenes that hold definite appeal for horror fans, and which make great reading for October and Halloween.ย 

The Problem of Female Agency in Shakespeare’s ‘The Taming of the Shrew’
#women #Shakespeare #ShakespeareSunday

The horror of Act 5, Scene 1 of Macbeth is subtle, but very real.ย While there is no real blood on the stage, there is definitely blood on Lady Macbethโ€™s hands.ย 

After belittling Macbeth more than once for being haunted by visions and ghosts, the same thing happens to Lady Macbeth – or Lady Macdeath, as I like to call her. She is spared such public humiliation, though – her suffering is is revealed in the privacy of her own rooms, witnessed only by her servant and a doctor. This enables the audience to witness the intensely personal and intimate nature of the psychological horror experienced by Lady Macbeth.

In the chaos of her behaviour, the audience sees the extent of Lady Macbeth’s mental torment: she is plagued by guilt and losing her grip on reality. She walks and talks in her sleep, carrying a candle because she cannot bear to be in darkness, and speaking of fragments of bloody images and events. Sheย repeatedly acts as though she is washing her hands, sometimes for fifteen minutes, yet she can never seem to get them clean. She keeps on finding blood on her hands: “Yet here’s a spot.”

Despair and frustration underscore pronouncements such as โ€œOut, damned spot! Out, I say!โ€ and “What! will these hands neโ€™er be clean?

In her mind, she can still clearly smell and see the blood on her own hands after the murder of Duncan, observing โ€œHereโ€™s the smell of the blood still:ย all the perfumes of Arabia will not sweeten this little hand. Oh! oh! oh!โ€.ย 

The doctor and gentlewoman who look on within the scene are disturbed by what they see before them, positioning the audience to share in their disquiet. Her macabre imagery and references to blood and ghosts cause the doctor to conclude thatย  “Unnatural deedsย 
Do breed unnatural troubles; infected minds
To their deaf pillows will discharge their secrets;
More needs she the divine than the physician.โ€ย 


The doctor speaksย whatย the audience already knows: it is Lady Macbethโ€™s conscience rather than her hands that cannot be cleansed. When he instructs the gentlewoman to watch her carefully and remove anything that she might use to harm herself, he is alluding to things that Shakespeareโ€™s generally superstitious audiences would have interpreted as horrific in itself – spiritual torment as a result of oneโ€™s own sins, and the thought of committing suicide in such a state, were appalling and dreadful to those who had been taught of the eternal damnation of one who took their own life or died otherwiseย completely unreconciled with God. The good folk of early modern England feared many things, but burial in unconsecrated ground and spending eternity in hell were right at the top of most peopleโ€™s list of things they wanted to avoid. Had it been otherwise, the early modern church would have been far less powerful and prominent in the lives of the English people.ย 

Throughout this scene, the power of a guilty conscience over oneโ€™s psyche is vividly expressed using the depiction and the imagery of horror.ย 

Shakespeare also uses the Macbethsโ€™ experiences as a distinct reminder of the fact that regicide is never a good idea because the consequences are enormous for the nation as a whole, but it also has significant and permanent spiritual consequences for the perpetrators. Given the number of plots against James I, a Scottish king long before he became an English one, this was a politically expedient message for Shakespeare to deliver to his audiences while at the same time telling a deliciously dark and macabre story.ย 

The Problem of Female Agency in Shakespeare’s ‘The Taming of the Shrew’
#women #Shakespeare #ShakespeareSunday

You can read the whole scene, or the entire play, here.ย 

New Release: โ€˜A Rose By Any Other Nameโ€™

Itโ€™s live! 
My new Shakespeare/fantasy novella launched today at 3pm Sydney/Melbourne time. 

I am really proud of this book, and very excited to be able to introduce it to people as a new release. 

I hope that readers will enjoy the story. I certainly had fun writing it, and still laughed again reading it over while formatting the ebook and paperback. It was a most enjoyable challenge to take two old stories and weave them into something new and fresh. 

โ€˜A Rose By Any Other Nameโ€™ is widely available in both paperback and ebook.

***

Excerpt from Chapter 1

Gnarled fingers gripped the doorframe tightly as she watched him riding slowly, as though searching for something.

What does his lordship want now? By the stars, I have precious little left. ย Is it not enough that he has built his mansion on my father’s land? And his walls around the trees between which my poor mother is buried? I’ll give him something… although it may not be what he wants.

She grinned cynically, a glimpse of yellowed teeth between thin, hateful lips.

Wait. He’s dismounting… Fool. There are no raspberries yet; it’s still too warm. What kind of moron… picks raspberry leaves? Oh, now… that is interesting. Very interesting.

Straightening her thin body to her full height, she stepped out into the field, heading straight for the thicket of barren raspberry bushes.

“And what are you going to do with those?” she demanded.

Nico jumped at the sudden intrusion. His thoughts scattered at the sight of Malevolenza.

Wizened and ghastly, she had become even thinner and more gaunt since he had last laid eyes on her over twenty years ago. She had watched in angry silence as the walls of the estate were built by his father’s workmen. Her wailing curses had risen like a fortress of sound outside the completed estate walls continuing for what had seemed an eternity on the night they were finished and the gates locked – the night his father had died. Whether it was fear or black magic that had driven the soul from his body, Nicolas would never know. When his father was cold, his grey eyes staring sightlessly at the ceiling as though he had been interrupted mid-thought, the old crone had fallen silent and disappeared. Or so he had thought.

“Well? Gatto got your tongue? Or are you… bewitched?” she cackled.

Nico opened his mouth, but he could not speak.

“Raspberry leaves… what on earth would a man want those for? Unless… there is a child on the way?”

The fear in Nicolas’ eyes was like a drug to her.

Malevolenza pointed her bony finger at him, her dirty, ragged nail giving emphasis to her intent. She muttered the words of her spell under her breath: “Doppio, doppio, lavoro e disordine, Ora sono io il tuo maestro!”

Nico remained mute, entirely under her control.

“You will take these leaves to your wife. Grind them into a powder, and make a tea. She will drink it, and her pains will begin. And then, when the child is born, you shall give the baby to me. You will tell your wife the child is dead. Go now. It shall be done.”

Nico’s senses returned to him only when she had disappeared. Shaking his head, and unable to recall what had crossed his mind just now, he resumed picking the leaves and placing them carefully in the pouch he had brought for his special harvest.

As he returned home late that afternoon, the sun dropped low in the sky and a distinct chill fell over the air.

***

Cover Reveal: A Rose By Any Other Name

I mentioned in a post last week that I was anticipating the release of a new book, about which I am very excited.

The book is a medieval fantasy story called โ€˜A Rose By Any Other Nameโ€™ which draws on both โ€˜Romeo and Julietโ€™ and โ€˜Rapunzel’ as the starting points for this story before taking those narratives in a very different direction. 

And so, without any further delay, let me reveal the beautiful cover, created for me by Renee Gauthier of RM Designs in Toronto, Canada. 

The back cover is gorgeous, too.

Itโ€™s fair to say I am thrilled by the beauty of this cover art, and incredibly thankful to Renee for her fabulous work. 

This story grew out of the inspiration from my author posse, the Indie Fabs. When one of them suggested that we write a fairy tale retelling anthology as a group, I was very nervous at first. I had never written anything like that. I didn’t know where to start, or how I might ever achieve that goal. I honestly thought I was going to let them down. 
Then one of them said, “Write what you know.”  Well, I knew all the old fairy tales that I had grown up with. And I knew and loved Shakespeare. 
And in that moment, this story concept was born. 

‘A Rose By Any Other Nameโ€™ took its place in that anthology, titled โ€˜Once Upon A Fabulous Timeโ€™ and published in 2017. It truly is an anthology unlike any other – far more than just a collection of our reinvented and often significantly transformed fairy tale stories, those stories were linked with one another by another separate, magical story that wove them all into one continuous narrative. Because it is such a very special book, it is still available in paperback, but no longer as an ebook. As a result, my story is back in my hands and free to be released as an individual title.

It is available for preorder, and will be released at 12.01am EST on June 14.ย 

Make sure youโ€™re following me on Twitter or Facebook so that you are able to reserve your copy. 

Top Four Shakespeare Podcasts

Promo WordyNerdBird Shakespeare Podcasts

I love podcasts, and I love Shakespeare. In these four podcasts, you’ll find the best of those two worlds combined.

#1: No Holds Bard. An informative and entertaining podcastย by Dan Beaulieu and Kevin Condardo, directors of the Seven Stages Shakespeare Company in Portsmouth, New Hampshire. ย They discuss the plays, words that people in the 21st century might not know, different interpretations, and various performances of Shakespeare’s plays. ย They even have a segment where they’ll answer homework questions sent in by students.ย 

You can follow on Facebook and Twitter.

#2: Folger Shakespeare Library: Shakespeare Unlimited. A podcast that explores the associations between Shakespeare’s writing and the world today through the words we use, ideas we discuss, and performance of the works of Shakespeare and others.

You can find more information on their website.

#3: Chop Bard – In Your Ear Shakespeare. This podcast explores different parts of the plays, offering insight and analysis in an interesting and accessible way.

Find out more via the website or follow on Twitter.

#4: My Own Shakespeare. This BBC podcast features different people discussing the piece of Shakespeare’s work that means the most to them. Each episode is about 3 minutes long, so it’s a nice little podcast to enjoy during a short break or over a coffee.

Find out more via the website.

Richard III’s Book of Hours.

Anyone who knows me at all knows that I’m a history nerd. I love reading it. I love studying it. I love teaching it. And my favourite period of history, ever? Medieval Britain.

So you can imagine my absolute joy when I learned that Leicester Cathedral has madeย a digital copy of Richard III’s personal prayer book, the ‘Book of Hours’, available to everyone, world-wide, absolutely free. Maybe they don’t realise that I, and many others like me, would have willingly parted with cold, hard cash for that. Needless to say, I wentย right over there and grabbed it.

RIII Book of Hours
Includedย with the digital version of Richard’s Book of Hoursย is a commentary by historiansย Anne F. Suttonย and Livia Visser Fuchs, which offers insight and explanations for the text.

Richard III is possibly one of the most controversial English kings. He’s the one they dug up from underneath a public car park in Leicester in 2012, and re-buried in Leicester Cathedral in 2015. But that’s not why he’s controversial.
Richard isย the key figureย at theKing_Richard_III centre of the “did he, or did he not?” debate about the demise of the ‘Princes in the Tower’. Of course, nobody really knows. There’s a lot of evidence that he was the most likely suspect, but there’s also a number of good arguments for other parties being responsible. The fact is, we’ll probably never know.

Either way, the Tudors very cleverly had Richard portrayed in both history and popular culture as the entirely self-serving, greedy, murderous, deceitful and manipulative hunchbacked king who murdered his way to the throne and effectively stole the kingdom of England from anyone who was more entitled to it than he.

That story was most famously perpetuated in Shakespeare’s play ‘Richard III’, which also caused him to be the most misquoted king of England ever. How many people actually believe that “A horse! A horse! My kingdom for a horse!” meant that he was willing to swap his kingdom for a horse, presumably with the intention of escaping on it? In actual fact, even in Shakespeare’s play, he was saying that if he couldn’t get a horse to replace his own, which had been killed in battle, he would surely lose his kingdom to Henry Tudor. As I’ve pointed out to my own students, if Shakespeare had actually thought of making him look that cowardly and heartless about his own kingdom, he might have written it that way, but he didn’t. The Tudor bias in both the recorded history and in Shakespeare’s play did mean that for the last 550 years or so, most people have quite happilyย assumed the worst of Richard.

Richard’s Book of Hours suggests a different side to this man. Owning a prayer book is one thing; using it is another. Richard made personal notes in this book – a commentย in the margin, a note aboutย his birthday. Given the rarity of books at the time of Richard’s reign from 1483 until his death in 1485, one would be reluctant to write in a book unless they were actually using it. In some other similar books , there are occasional little notes written beside the text of the book by whicheverย priest was either writing or studying the text. We must understand, though, that it’s different than a teenager drawing winky faces next to the rude bits in Shakespeare.

One such noteย we can be absolutely certain wasย added by Richard to this book is “dolor”, which means ‘grief’. Having experienced the death ofย both his only son and then his wife, Richard was indeed a man familiar with grief.

When I considerย the images of Richard’s Book of Hours, I think of a man who was conscious of his standing before God and who used this book daily. I think of the man contemplating his fate on the night before the Battle of Bosworth, where contemporary sources suggest he had a daily prayer book right thereย with him in his tent. ย He was a man who prayed. Those records also tell us that Richardย participated in a service of Mass before going into battle. ย Obviously, I cannot vouch for his sincerity because I never met the man, but it does make one consider another perspective of this perhaps much-maligned king.

After the Battle of Bosworth where Richard died and Henry Tudor became Henry VII of England, Richard’s prayer book was gifted to Henry’s mother, Margaret Tudor. She didn’t scratch Richard’s name out of the front of the book, but she did write a short poemย in the back that stated the bookย now belonged to her.

Thankfully, the book now belongs to Leicester Cathedral, who have generously shared it with all of us. Even in digital form, I find that very, very exciting.

 

Sources:
http://www.medievalists.net/2015/03/richard-iiis-book-of-hours/

http://www.medievalhistories.com/book-of-hours-of-richard-iii/

http://www.lambethpalacelibrary.org/content/annunciation

http://leicestercathedral.org/about-us/richard-iii/book-hours/