This Valentine’s Day edition of Shakespeare Nerd is brought to you by the brilliant Mya Gosling, creator of Good Tickle Brain.
Shakespeare Nerd Valentine’s Day Edition via @goodticklebrainTweet
Because it’s December and Christmas decorations are everywhere, I wrote last night about the meanings and etymology of the word ‘bauble’ on WordyNerdBird. I wondered then if it were a word used by Shakespeare. To my delight, it was indeed!
Interestingly, Shakespeare references one of the continued senses and the obsolete sense of the word, and creates double entendre with it for extra credit.
In ‘Cymbeline’, the queen refers to Caesar’s ships bobbing around on the sea as ‘ignorant baubles’, describing them further as being like egg shells, being thrown and broken against the rocks.
A similar reference to boats as ‘baubles’ is made in ‘Troilus and Cressida.
In ‘Othello’, Cassio shows his disregard for Bianca by describing her as a bauble that follows him around and tries to make him fall in love with her. That his companions laugh with him demonstrates that this use of the word to describe a pretty but not-so-valuable woman was easily understood at the time.
In ‘The Taming of the Shrew’, ‘bauble’ is used to refer to Kate’s hat – a decorative item of clothing, which is of little value in the play other than its use as a prop in her surprising demonstration of obedience to her husband, Petruchio.
‘Timon of Athens’ references a bauble as the staff of a jester or idiot, although in this instance, Aaron the Moor is suggesting that a king holding his sceptre and claiming to be faithful to God is the equivalent of his fool holding a bauble and pretending to be the king.
This sense of ‘bauble’ is extended in All’s Well That Ends Well, where the Clown refers to cheating on a man with his wife and giving her his bauble “to do her service”. Clearly, this is a pun on the jester’s staff, used to reference an altogether different kind of rod with a special ending on it.
This is Shakespeare’s trademark wit in action, taking common language and creating word play loaded with double entendre that would delight the masses and the ‘gentlemen’ alike.
Last year, I wrote a number of posts about the best Shakespeare scenes for Halloween.
This year, Mya Gosling has very kindly given permission for me to share her Shakespeare Halloween Party cartoons.
Mya is the creative genius behind Good Tickle Brain, where she turns Shakespeare’s characters and plays into insightful and amusing cartoons. I hope you enjoy her work as much as I do.
Shakespeare Halloween PartyTweet
#cartoons #Shakespeare #halloweencostume
In an attempt to organise all my Shakespeare-related posts so they might actually reach the readers they were written for, I have a new Facebook page called Shakespeare Nerd.
It’s easy to find those posts on WordPress because you can search, or simply click on a category like Shakespeare or a tag like Shakespeare Nerd and they will magically appear.
Finding specific posts on Facebook is not that straightforward, and so my new page was born.
It’s already full of all sorts of hey nonny nonny and hurly burly, and waiting to be discovered by my fellow Shakespeare lovers.
If you are on Facebook, love Shakespeare, and want to make my day, please give it a like.
If you’re not, or you don’t, or don’t want to, there is absolutely no obligation. You won’t miss a thing, because you’re already here, right at the front of the line waiting for me to serve up the wordy nerdy goods.
Thank you for being a supporter and reading my posts, by the way. It’s very much appreciated.
For Shakespeare Sunday this week, I want to share with you the wonderful work of cartoonist Mya Gosling at Good Tickle Brain.
Mya takes the vast works of Shakespeare and condenses them into cartoons that even those with very little knowledge of Shakespeare can read, understand and appreciate.
For Shakespeare nerds like me, it presents a lot of fun and great “oh yeah!” moments. For those new to the plays or wondering what on earth the characters are saying and doing, Mya’s cartoons make the complex much more straightforward.
This website contains a wealth of play summaries, character spotlights, analysis and audience insights. I frequently share Good Tickle Brain with my students because it really does help to make whatever play we are studying more accessible and relatable for them.
Even if you haven’t seen or read the play Titus Andronicus — and let’s face it, most people haven’t— make sure you watch the video titled ’Titus Andronicus: All The Deaths’. The way she draws all the characters and then depicts how they died in the play is brilliant!
Also incredibly insightful is the non-Shakespeare section titled ‘Keep Calm and Muslim On’, which is Mya’s exploration of the way in which Muslims and non-Muslims get along together in American society, which I find highly relevant to Australia too. I always enjoy seeing the simple but profound ways in which Mya breaks down the barriers and embraces the differences while still showing how similar we really all are.
It’s a great website that holds lots of fabulous little surprises. I really hope that you’ll take a look, and I hope that you enjoy it as much as I do.
It is a constant source of amusement to me that barely a day goes by without someone reading a post I wrote over two years ago. As hard as I try to write posts that are interesting and engaging, and have some relevance to either readers or other authors the one post that shows up in my blog stats almost every day is ‘Top Four Shakespeare Podcasts’, posted in June 2017.
While I have had some posts that got a great response at the time, othing else I’ve published on this blog has had that kind of perpetual popularity,
The funny thing is, it’s only got three likes, but more people than that visit that post every day. Perhaps WordPress needs to make the “like” button bigger and brighter so that it’s easier to see and click.
Given that it’s the most successful blog post I’ve ever written, I thought it was worth posting again for all the followers I’ve gained since then. Enjoy.
I love podcasts, and I love Shakespeare. In these four podcasts, you’ll find the best of those two worlds combined.
#1: No Holds Bard. An informative and entertaining podcast by Dan Beaulieu and Kevin Condardo, directors of the Seven Stages Shakespeare Company in Portsmouth, New Hampshire. They discuss the plays, words that people in the 21st century might not know, different interpretations, and various performances of Shakespeare’s plays. They even have a segment where they’ll answer homework questions sent in by students.
#2: Folger Shakespeare Library: Shakespeare Unlimited. A podcast that explores the associations between Shakespeare’s writing and the world today through the words we use, ideas we discuss, and performance of the works of Shakespeare and others.
You can find more information on their website.
#3: Chop Bard – In Your Ear Shakespeare. This podcast explores different parts of the…
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My new Shakespeare/fantasy novella launched today at 3pm Sydney/Melbourne time.
I am really proud of this book, and very excited to be able to introduce it to people as a new release.
I hope that readers will enjoy the story. I certainly had fun writing it, and still laughed again reading it over while formatting the ebook and paperback. It was a most enjoyable challenge to take two old stories and weave them into something new and fresh.
‘A Rose By Any Other Name’ is widely available in both paperback and ebook.
Gnarled fingers gripped the doorframe tightly as she watched him riding slowly, as though searching for something.
What does his lordship want now? By the stars, I have precious little left. Is it not enough that he has built his mansion on my father’s land? And his walls around the trees between which my poor mother is buried? I’ll give him something… although it may not be what he wants.
She grinned cynically, a glimpse of yellowed teeth between thin, hateful lips.
Wait. He’s dismounting… Fool. There are no raspberries yet; it’s still too warm. What kind of moron… picks raspberry leaves? Oh, now… that is interesting. Very interesting.
Straightening her thin body to her full height, she stepped out into the field, heading straight for the thicket of barren raspberry bushes.
“And what are you going to do with those?” she demanded.
Nico jumped at the sudden intrusion. His thoughts scattered at the sight of Malevolenza.
Wizened and ghastly, she had become even thinner and more gaunt since he had last laid eyes on her over twenty years ago. She had watched in angry silence as the walls of the estate were built by his father’s workmen. Her wailing curses had risen like a fortress of sound outside the completed estate walls continuing for what had seemed an eternity on the night they were finished and the gates locked – the night his father had died. Whether it was fear or black magic that had driven the soul from his body, Nicolas would never know. When his father was cold, his grey eyes staring sightlessly at the ceiling as though he had been interrupted mid-thought, the old crone had fallen silent and disappeared. Or so he had thought.
“Well? Gatto got your tongue? Or are you… bewitched?” she cackled.
Nico opened his mouth, but he could not speak.
“Raspberry leaves… what on earth would a man want those for? Unless… there is a child on the way?”
The fear in Nicolas’ eyes was like a drug to her.
Malevolenza pointed her bony finger at him, her dirty, ragged nail giving emphasis to her intent. She muttered the words of her spell under her breath: “Doppio, doppio, lavoro e disordine, Ora sono io il tuo maestro!”
Nico remained mute, entirely under her control.
“You will take these leaves to your wife. Grind them into a powder, and make a tea. She will drink it, and her pains will begin. And then, when the child is born, you shall give the baby to me. You will tell your wife the child is dead. Go now. It shall be done.”
Nico’s senses returned to him only when she had disappeared. Shaking his head, and unable to recall what had crossed his mind just now, he resumed picking the leaves and placing them carefully in the pouch he had brought for his special harvest.
As he returned home late that afternoon, the sun dropped low in the sky and a distinct chill fell over the air.
I mentioned in a post last week that I was anticipating the release of a new book, about which I am very excited.
The book is a medieval fantasy story called ‘A Rose By Any Other Name’ which draws on both ‘Romeo and Juliet’ and ‘Rapunzel’ as the starting points for this story before taking those narratives in a very different direction.
And so, without any further delay, let me reveal the beautiful cover, created for me by Renee Gauthier of RM Designs in Toronto, Canada.
The back cover is gorgeous, too.
It’s fair to say I am thrilled by the beauty of this cover art, and incredibly thankful to Renee for her fabulous work.
This story grew out of the inspiration from my author posse, the Indie Fabs. When one of them suggested that we write a fairy tale retelling anthology as a group, I was very nervous at first. I had never written anything like that. I didn’t know where to start, or how I might ever achieve that goal. I honestly thought I was going to let them down.
Then one of them said, “Write what you know.” Well, I knew all the old fairy tales that I had grown up with. And I knew and loved Shakespeare.
And in that moment, this story concept was born.
‘A Rose By Any Other Name’ took its place in that anthology, titled ‘Once Upon A Fabulous Time’ and published in 2017. It truly is an anthology unlike any other – far more than just a collection of our reinvented and often significantly transformed fairy tale stories, those stories were linked with one another by another separate, magical story that wove them all into one continuous narrative. Because it is such a very special book, it is still available in paperback, but no longer as an ebook. As a result, my story is back in my hands and free to be released as an individual title.
It is available for preorder, and will be released at 12.01am EST on June 14.
Every year on April 23rd, my family celebrates Shakespeare’s birthday with cake. I always do some reading from a play or sonnet, but my husband isn’t so fond of that as he is of the cake, so it’s usually either a solitary activity or one I share with my dog. It’s a well-established fact that Abbey the Labby loves the Bard… and cake.
This year, though, my homage will take the form of several hours of rehearsal for a different comedy – Monty Python’s Spamalot – before I am able to indulge in birthday cake. It does seem fitting that the show is a little bawdy, somewhat irreverent, and absolutely hilarious.
While the precise date of Shakespeare’s birth was not recorded, the date of his baptism was registered as April 26th, 1564. Because it was traditional for babies to be christened three days after they were born, it is generally accepted that William Shakespeare was born on April 23rd.
In an ironic twist, Shakespeare died on the same date in 1616. Some people think that is awkward, but I think it’s a pretty cool achievement. I’m not sure how common it is for people to die on their birthday, but one of my grandfathers did, so it’s a feat that has always been a point of interest for me.
So, here’s to The Bard, his works, and his legacy.
There are a number of things in life that I’m passionate about. British history, especially the medieval period, has always been my favourite for reading and study, as have the works of Shakespeare, along with a good number of other writers. A teacher by profession, I love interacting with my students and leading them to those golden “penny drop” moments when something becomes real and meaningful. I have always loved reading. And as an Indie author who understands how hard it is to find readers, and how much harder than that it is to get reviews, I’m committed to reading, reviewing and sharing great Indie books of all genres.
I was very excited recently to discover, read and review an Indie novel about the life of Aethelflæd, the Anglo-Saxon queen. To my absolute delight, it was well-written and beautifully told. I thought then that several Christmases had come at once.
Now, less than a month after posting that review, it’s happened again, and I find myself at a quite magical point in time where my passions have met and over lapped, as though life has popped me into the middle of some invisible but very cool Venn diagram.
I’m currently teaching Shakespeare’s ‘Richard III’ in one of my senior English classes. Not only is the writing and language incredible – there are curses and insult exchanges galore, along with some great monologues – it’s also the one with the hunchbacked evil genius who usurps the throne and has himself crowned king, the princes being murdered in the tower, and a fabulous haunting scene! The historiography of the play may be fairly tenuous, but the audience is left in no doubt of the creative genius of the writer. All of this means that I am getting paid to be an absolute nerd about the language, the writing and the history, all at the same time. That in itself is pretty darned great.
Tonight, though, as I was browsing through the Wordpress reader, I found an article about a great new Indie novel about the life of Henry Stafford, known in Shakespeare’s play as Buckingham, the ally and “other self” of King Richard III. When I went to a renowned global digital bookstore to check it out, I discovered the same author has also written a novel and several other books about Richard III.
That may not seem very exciting to some, but for me, it’s fantastic. I get to teach ‘Richard III’, indulge myself in Shakespeare and history to my heart’s content, and to read and review a couple of Indie books about two of the most fascinating characters in the play – and possibly in English history, it could be argued – at the same time.
My nerdy little mind is blown. I think I need to go and lie down.